•
All is not lost in a world where Aardman hangs onto its status as a wholly original animation house that gets to make shorts like this.
•
I venture to say that this profoundly corny action epic about “totalitarianism” wants to be more important than it actually is.
•
I’m not so sure about how Anderson’s second feature handles its narcissistic protagonist.
•
Miyazaki’s first and last biopic is as epic as his fantasies, but held hostage by the political baggage of fascist history.