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Happy Madison Productions’ cynically produced continuation of a story which concluded 29 years ago fails to enrich the original, but its effect is ultimately harmless.
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No one will come away from this movie respecting Ray Kroc, but in the hands of John Lee Hancock, no one will be pushed to excessively question capitalism either.
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Anti-capitalist media made by capitalists may ultimately serve capitalism, but this series undoubtedly raises the right questions.